Right in the start of the film, we are informed that Hari (Naga Shaurya) loves to get into battles. His dad gets frightened about his child's destiny, and one fine day, he gets a brainwave which soon powers Hari to go to Tirrupuram. Hari is stunned to see that there are no battles in his new school, however it doesn't take him too long to make sense of that nothing is as it appears in the town. There is a fence that runs directly through the town, and whatever is left of the story is about how Hari brings this fence down to join the warring groups.
The point wire fence is a vital piece of the story, such a great amount of that without its quality, there's no contention or dramatization in this film; in any case, the minute it goes under spotlight, the film too starts to lose its sheen. It's a dilemma circumstance, which says such a great amount in regards to the barely recognizable difference that Venkatesh Kudumula strolls to portray the story. For whatever length of time that the characters avoid this fence, Chalo gives us a lot of fascinating roar with laughter minutes, and the shining science between Naga Shaurya and newcomer Rashmika Mandanna is a treat to watch. Regardless of whether it's the communications between understudies, particularly those highlighting Naga Shaurya, Satya and Harsha, or how the two lead performing artists experience passionate feelings for each other, the primary portion of the film is the motivation behind why Chalo feels reviving to a specific degree.
Be that as it may, something peculiar happens once the contention is built up. It falls prey to the desire to end up noticeably a quintessential Telugu film where the sole reason for a legend is to join everybody. Normally, in this film, Naga Shaurya understands that his bliss lies in cutting the fence down and make everybody comprehend — Kalisi Unte Kaladhu Sukham (Happiness Lies In Unity). What's more, from that point onwards, as he sets out on a wild goose pursue to be a saint, the film loses its appeal reel by reel. The entry of Vennela Kishore adds some punch to the procedures, however it simply doesn't feel it's appropriate back on track. Watching this film, and the way it closes, influenced me to think about whether the group lost a chance to make an all out performer.
For Naga Shaurya, Chalo feels like a positive development, and he's totally quiet with himself. Since we aren't given abundant time to brood about whether or not the start sounds sufficiently coherent, everything comes down to the amount Naga Shaurya trusts in the story and the scenery to influence us to pull for him. He prevails to a decent degree, until the point that the story comes up short on fuel. Rashmika makes a staggering presentation and she's a delight to watch on screen. Chalo likewise owes a considerable measure to its supporting characters drove by Satya and Sudharshan Reddy, who convey a lot of snickers to the procedures.
The film is additionally loaded with a lot of generalizations about individuals from various areas, however gratefully, it avoids taunting their qualities. Chalo, similar to the title recommends, embarks to offer a fun ordeal. It's interesting as long as the characters remain flippant, which is the thing that establishes a major connection in the principal half, yet once things take a genuine turn, nobody very appears to comprehend where to head. It's a disgrace, in light of the fact that for some time, Chalo was shockingly entertaining.
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